The Global Archive For Devotees of Vanity: Cult Guide

Dir: John B. O'Brien

A daughter of the slums has a little brother and makes a brave attempt to earn enough for both herself and Jimmy after her father is sent to jail on a fake charge trumped-up by "Nifty" Mendez, who is very anxious to get her in his toils. Betty escapes from the city and Nifty. On the road Jimmy is struck by Rodney Channing's motor. The injury is not serious but Jimmy must remain in Channing's home for some time. During the visit, love grows up between Channing and Betty, who is now of course very happy. But a newspaper announcement and the author send Nifty again into her life and simultaneously with his entrance comes the exit of happiness. Betty fears to tell her fiance that her father is in jail, so she gives Nifty the pearl necklace lately presented to her and leaves the wonderful home. "As the days pass" however, Channing's cousin finds it necessary to visit a modiste's shop in search of a wedding gown and Channing accompanies the bride-to-be. There he finds Betty, for she is the model who displays the gown.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of The Outcast perfectly mirrors the editorial trajectory of our deep dive.

Mae is a girl of the slums. Her antecedents are unknown. She works as a dancing girl around a rough dive where her sweetheart Bob is a waiter. Graves, a cheap sport, takes a fancy to Mae and asks the bartender who she is. The bartender tells him that nobody knows where she came from. When Graves becomes fresh with Mae, Bob warns him off. On their day off, Bob and Mae go walking in the park. They see young couples with their babies and long for a decent married existence. Judge Lewis, in his courtroom, is sternly sentencing a criminal who is pleading for mercy. A second judge enters the room and is invited to the bench as a matter of courtesy. He whispers to Judge Lewis in favor of the criminal, but Lewis is firm and sends the prisoner away condemned to the limit. Court adjourns and the two judges depart. They go down the courthouse steps and walk away to the park, where they see Bob and Mae. The second judge recognizes Bob and stops him. The judge asks him questions and Bob replies that he is behaving himself. Bob is eager to get away. Alone with Mae, Bob explains that the judge is the one that paroled him after his last fight. Back at work in the dive. Graves becomes offensive to Mae. He follows her to her room and is followed by Bob. A fight occurs in which Mae shoots Graves. Bob disappears, fearing the result of his parole if he should not obey the judge. Mae is to be tried before Judge Lewis. She is assigned a young attorney to defend her. The attorney sees her in her cell and gets her story. He can find no trace of Bob, who, however, keeps himself posted in hiding. The young attorney has secured from Mae, however, a locket given to her by her dead mother when she was a little child. The locket has a photo of her mother with the address of a photographer in a country town. The attorney visits the town, finds the old photographer, and is directed to Old Man Aitken as one who can tell about the woman of the photo. Aitken shows great emotion when he sees the photo, and on being told of Mae's coming trial before Lewis, shows great eagerness to go with the attorney. The trial is commenced, and the attorney admits the killing, but pleads self-defense and the girl's irresponsibility. He places her on the stand, and she tells her story. The judge is cold and relentless. She is asked on cross examination, "Where is this man Bob?" She doesn't know. Bob, however, has crept into the back of the courtroom. He presents himself and is examined. He corroborates Mae, but the judge, recognizing him as the boy of the park, discredits his testimony by asking him, "Are you not a paroled prisoner?" Bob admits it, and the effect on the jury is obvious. Mae is found guilty, with a recommendation for mercy. On being brought up for sentence, the attorney calls Aitken to prove the girl's irresponsibility. The prosecuting attorney jumps to his feet and objects. The judge is about to rule out Aitken's testimony, when Mae's attorney interposes, "It will not be necessary to mention the name of the father of this defendant, but I will ask the witness to identify this photograph as the girl's mother." The portrait of the locket is passed to the judge. He conceals his emotion with difficulty. Mae's attorney proceeds, "I will prove by this witness that the defendant's birth and early life are responsible." Aitken then tells his story, fading back to Mary Alden and Lewis, their love, the locket, Lewis' desertion to follow his career, sending her a letter telling her of his decision, the baby's birth, and the disappearance of mother and child. After the story the judge faints, court is adjourned, and the judge is carried out. The next day another judge is on the bench: he who had paroled Bob. He suspends sentence on Mae and she and Bob go away free. Judge Lewis is convalescent at his home in the country. Aitken brings Mae and Bob to him and he expresses his interest in them and determination to devote his life to his daughter.

Dir: John B. O'Brien

A woman overcomes her fear of childbirth and embraces motherhood.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of Maternity perfectly mirrors the editorial trajectory of our deep dive.

Rich artist David King sends his infant daughter Molly to an orphanage, then years later regrets it and tries to find her. She's sent to slave at a boarding house, and the mistress of the orphanage passes her niece off as Molly.

Dir: John B. O'Brien

Harmony Wells, a gifted violinist, moves to Paris to complete her musical education. Her money soon disappears, and she is forced to live in an inexpensive pension house, where she meets Dr. Peter Byrne, a promising American surgeon who has come to Paris to study. The doctor falls in love with Harmony and proposes, but although she returns his love, she refuses him, determined to pursue her career. One of Peter's patients, a crippled child named Jimmy, who is dangerously ill, asks Harmony to brighten his hours by playing for him. Realizing that the boy is about to die, Harmony seeks out his mother, a dancer who deserted him for the vaudeville stage, but the woman arrives at her son's bedside too late. Shortly before Harmony's debut, she visits Jimmy's grave, where she meets the grief-stricken mother, who advises her to "play for your own children as you played for my little boy." Rushing back to Peter, Harmony accepts his proposal of marriage.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of The Foundling perfectly mirrors the editorial trajectory of our deep dive.

Owen and Ernest Wharton, sons of sweatshop owner James Wharton, become interested in two of their father's employees. Owen, a settlement worker, falls in love with Mary, while Ernest, a full time womanizer, makes her sister Amy his mistress. Another sister, Jane, grows increasingly consumptive, but when Mary asks James for some money for Jane's treatment, he refuses. Hearing of the trouble, Ernest offers money to Mary, but only if she too agrees to be his mistress. Enraged, Mary forces him at gunpoint, to marry Amy. Then Owen, knocked unconscious in an accident, calls out for Mary. James begs her to see Owen, but before agreeing to go, Mary makes him promise to improve sweatshop conditions. Finally, Owen recovers and he and Mary plan their marriage. Meanwhile, marriage has turned Ernest into a devoted husband, and James keeps his word about shop conditions.

Dir: John B. O'Brien

When the marriage of Justus and Dorothy Druce fails, their daughter Dorothy goes with her mother to the Catskills, while her twin sister Justine settles in New York with Justus. Years later, Justine becomes engaged to Charlton Sloane, who offers to help Justus out of his financial difficulties by pawning the Druce family jewels. Justus' niece Adelaide, bitterly disappointed in her love for Charlton, convinces her uncle that the young man stole the jewels, prompting Justine to seek the services of Warde MacMahon, a young lawyer vacationing in the Catskills. When Warde's car overturns, Dorothy tends to his injuries in her childhood hideaway, "The Inn of the Blue Moon," and the two fall in love. Dorothy and Justine finally meet, and following several adventures involving their identities, Charlton's name is cleared, the daughters are married to their prospective suitors, and the long separated parents are reunited.

Dir: John B. O'Brien

A visual fragment from the archive: The thematic resonance of The Street of Seven Stars perfectly mirrors the editorial trajectory of our deep dive.

Imar the Servitor rescues an American tourist who has lost his way in the desert and the two men become friends. Before he leaves, the American gives his friend a picture of his fiancée. When the tourist returns home, he discovers that his girlfriend has married a horseman, both of whom have journeyed to the Arabian desert. Imar's master attacks the trader's wife. Her husband then accuses her of infidelity and starts to beat her. Imar recognizes her from the picture given to him by his American friend and rescues her. They both traverse the desert and meet her former fiancé, who has been sent for. Her husband and Imar's master are slain, leaving the three friends free of any retribution.

Dir: John B. O'Brien

Robert Powers devotes himself to a life of dissipation until he meets Lillian Vale, the daughter of the curate of St. Anthony's church. Lillian marries Powers, determined to reform him. Years later, the happiness of their home threatened by the appearance of Hattie Lee, one of Powers' former lovers. While Lillian is at her father's deathbed, Powers is lured away by Hattie Lee one night. That evening, the house catches fire and when he returns, the place is in ashes. Frenzied with the belief that his son has perished in the flames, Powers goes to beg the forgiveness of his wife and discovers that she has saved the child's life. Her all-forgiving nature and the love of their son causes Powers to rise from his past life with a triumphant soul.

Dir: John B. O'Brien

In the future (1921), an alliance of several foreign countries plot to attack the US. American officials, coming to the realization that the country is basically defenseless, offer $1,000,000 to anyone who can come up with a weapon to defeat the invaders. Winthrop Clavering, a writer and inventor, hears of the reward and tells his friend Bartholomew Thompson, a scientist and inventor who has been working on developing flying torpedo. However, enemy agents have also heard about Thompson's project, and set out to kill him and steal his plans.