Masterpiece Selection Resonating with the Themes of Wanted at Headq...

Dir: Stuart Paton

Emerson Boyd is the owner of the Great Boyd Mills, a relentless scheming, grinding corporation, which employs child labor and disregards all laws of health and sanitation. He is also in control of the Boyd Chemical Company, another large corporation with the same greedy and heartless policy which turns out upon the public certain harmful and toxic medicines, among which is Saco-Ozone, a widely advertised cure for tuberculosis and pulmonary diseases. Back of the powerful arm of Emerson Boyd is David Duncan, general manager of the Boyd Mills. Duncan is also a crooked politician. He is in love with Eleanor, Boyd's daughter, who, however, is secretly engaged to Matthew Brand, one of the idle rich. Emerson Boyd reads a newspaper attack upon the Boyd Corporation and, in a great rage, calls Duncan to see what influence he can use as a political boss to muzzle the paper. Eleanor goes away and Brand runs across the newspaper article against her father. Alarmed by the facts set forth in the paper, Brand determines to investigate, and, calling upon Cole, the editor of the "Clarion," hears a story that makes him sick at heart. Then he learns that Boyd's political machine has muzzled the paper. Brand pays a visit to Boyd's factories, and is horrified at the unsanitary conditions. Brand visits the "Clarion" office and buys the paper, but retains Cole to help him. They start at once on an article that drives Boyd wild with rage when the paper comes from the press. Brand goes to call on Eleanor. At the same time Duncan and the detective are closeted with Boyd. While Brand is telling Eleanor of his campaign with the Tuberculosis Society to wipe out the dread disease the detective is telling Boyd that the man who is so bitterly opposing him and printing the vitriolic stories is none other than the quiet Matthew Brand, who has been courting his daughter. Boyd is astounded. Meanwhile, Eleanor has become so enthusiastic that she determines that her father must hear the story and hurries to the library, where Boyd is closeted with his hirelings, and begs him to come and listen to Matthew Brand. When Brand sees Boyd, the latter attacks him unsparingly and, refusing to grant him a hearing, orders him to leave the house and never return. Eleanor is astounded. The National Tuberculosis Society meets with failure, for, when Boyd learns of the proposed sanitarium, he orders the mayor to prevent it, fearing that it might hurt his patent medicine business. Following the dictates of his superior, Mayor Alrich replies that the finances of the town would not warrant such a measure. Meanwhile Boyd becomes interested in the persistent attack upon the horrible system of the great mills and inquires of Duncan as to the truth of the stories. The latter lies glibly. In the meantime, Eleanor has gone to the "Clarion'' office to see her sweetheart. Duncan calls, and Brand pushes Eleanor into an adjoining room, that she may hear what is said. Duncan threatens Brand to induce him to stop the damaging articles, but Brand defies him. Boyd is beginning to admire Brand, but Duncan plans to dynamite the "Clarion." Eleanor, becoming very ill, the old family physician is sent for, and, making a thorough examination, tells Boyd the crushing news that his daughter has symptoms of tuberculosis. Duncan arrives at the rendezvous where he learns that the police have become suspicious of the gangsters and they had retired to await his orders. Duncan is angered to the utmost over the hitch in the well-laid plans, and, calling them all the utmost cowards, takes the bomb himself and bids them follow. In the darkness of the rear of the "Clarion" office, Duncan sets the bomb and lights it, while on the inside, Brand and a helper are working over some copy. The bomb has a defective fuse, and a premature explosion takes place, killing Duncan, while the falling bricks and masonry seriously injure Brand. Boyd's family physician tells the money king that there are no places in Every-town for the proper treatment of tuberculosis, as Boyd and other corporation owners have persistently fought to keep out all sanitariums. Boyd thinks of his own remedy, and sends for a case of Saco-Ozone. He reads from the testimonials of its wonderful cures, but the family physician appears, and hurls it all from the window, telling him that it is harmful and poisonous. He then tells Boyd that Eleanor, to get well, must be sent to an open air sanitarium. When Boyd tells Eleanor of the doctor's suggestion, and offers her anything her heart desires, if she will only try to get well, he is told that her one wish is that he will send for Brand and listen to him. Boyd leads Brand to the library, where he listens to the other's talk on the existing evil conditions and of his efforts to prevent the spreading of tuberculosis. Boyd thereupon plans to reconstruct Every-town. Miracle upon miracle is accomplished by the enthusiastic money king, who sends his daughter to a sanitarium, where she ultimately recovers after receiving good care, fresh air, rest and wholesome food. The story ends one year later with a big banquet to celebrate a new and clean Every-town and, incidentally, the engagement of Eleanor and Brand.

Dir: Stuart Paton

A visual fragment from the archive: The thematic resonance of The Devil's Trail perfectly mirrors the editorial trajectory of our deep dive.

Whiskey smuggler Dubec, trades liquor to the Indians, takes revenge on the Royal North West Mounted Police pursuing him by killing the wife of post commander Sergeant Delisle and abducting his teen-aged daughter Nonette. After twelve years of futile searches, the eighteenth birthday celebration of Delisle's other daughter Julie is disrupted when Sergeant MacNair arrives to replace Delisle because Delisle cannot control the lawlessness in the camp. MacNair falls in love with Julie though she scorns him. When Dubec and Nonette, now his wife, return from the Klondike with a dance hall troupe of women, Delisle, not recognizing Dubec but resenting his flirtations with Julie, orders them to leave. Dubec captures Julie and MacNair, forcing Julie to dance, and offers her to the highest bidder. MacNair saves her just as Delisle, warned by Nonette of Dubec, arrives. Nonette is reunited with her father, and MacNair and Julie, now in love, embrace.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Stuart Paton

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Episode 1: "The Oriental Death Punch" Alvin Van Cleft has a penchant for chorus girls, particularly Polly Marion. One night they leave a café and enter a taxi, closely watched by two muffled figures. As Van Cleft and the girl are riding through the park Van Cleft falls into a stupor, a mysterious hand which seems to have no attachment to a body, enters the cab and kills Van Cleft. Later Howard, his son, is notified by a mysterious voice that his father has been murdered and is the third victim, two others interested in chorus girls having preceded him. Howard notifies John Shirley, interested in criminology, and Professor Montague, a prominent physician, and they, together with Cronin, head of a detective agency, start working on the case. Shirley arrives at the conclusion that Van Cleft was murdered by the Japanese death punch, Sen Si Yao, as he is telling this to his friends he receives a telephone message that Cronin is in Bellevue Hospital with a crushed skull and that Montague may be the fourth victim. Shirley visits Cronin, who tells how he was beaten by two chaps who had been in the same taxi with him. Shirley then receives a message that he will be the next victim if he does not stop meddling in others' affairs. The professor, to the surprise of Howard, disguises himself and goes out the back way; as he jumps over the wall he is attacked by two thugs, whom he overpowers and marches to the police station.

Dir: Stuart Paton

John Hardy, a ranch owner, marries Cleo Dade, not realizing she belongs to a gang planning to use the ranch as headquarters for Mock Sing's opium smuggling operations. When Hardy suddenly disappears, Cleo takes charge of the ranch, usurping the place of Hardy's daughter, Rose. Suspecting her father is still alive, Rose visits Mock Sing's cabin. John Smith, a card dealer for Mock Sing who is attracted to Rose, saves her from Mock Sing's assault and frees Hardy, who has been held prisoner. Soon after, Hardy's ranch hands attack and kill Mock Sing, Cleo is revealed as the wife of gang member "Square Deal" Dixon, and the ranch is restored to Hardy. John Smith, actually a government agent sent to curb opium trafficking on the border, marries Rose.

Dir: Stuart Paton

A visual fragment from the archive: The thematic resonance of The Voice on the Wire perfectly mirrors the editorial trajectory of our deep dive.

Antiques collector Bradley West agrees to adopt Little Marie, a French war orphan, to please his wife. Marie and a servant's son, George Washington Jones, Jr., irritate Bradley with their mischief until he hires Hulda, a governess who objects to Marie's friendship with a Black child. Marie attempts to placate Hulda by whitewashing George, then presents him at a tea party and shocks the guests. Bradley's nephew and secretary, Trent Gordon, befriends Marie and she assists him in overcoming difficulties with his girlfriend, Phyllis Dare. Unbeknown to the West family, Hulda, alias "Chicago Hattie," is in league with a gang of thieves led by Raymond Brownleigh, intent on robbing Bradley's safe. On the night of the burglary, the noise awakens Marie and she locks Brownleigh in the safe. Before the thief can make his escape, Trent captures the entire gang. Marie's courage and resourcefulness win her the love of her foster father.

Dir: Stuart Paton

Tommy Buckman, the ne'er-do-well son of dime store magnate John Buckman, is given one last chance to succeed by surveying a possible location in New England for the opening of another store in his father's chain. Arriving in the town of Winton, Tommy lands in jail and, disowned by his father, is bailed out by Nina Potter, whose father owns the only dime store in town. Tommy accepts a job as a delivery boy in the Potter store and soon rises to the post of general manager. When Buckman opens the store across the street, Tommy, now an adroit manager, corners the market. Old Buckman is sent for, and when he arrives to discover that his own son has beaten him in business, he consents to Tommy's marriage to Nina and withdraws his store from the town of Winton.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of Border Raiders perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.