Recommendations
Senior Film Conservator

If you found yourself captivated by the cinematic excellence of We're in the Money (1935), the profound questions raised in 1935 still require cinematic answers today. Experience the United States influence in these recommendations that echo We're in the Money.
We're in the Money remains a monumental achievement to provide a definitive example of Ray Enright's stylistic genius.
Two gold-digging process servers are tasked with subpoenaing one's boyfriend, who has been using a pseudonym to avoid breach-of-promise servings and suits.
We're in the Money was a significant production in United States, showcasing the immense talent of Hobart Cavanaugh, Sam McDaniel, Glen Cavender. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique cinematic excellence of We're in the Money, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Henry Edwards
A millionaire bets £25,000 that he can earn his own living for six months.
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Dir: Aubrey M. Kennedy
Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.
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Dir: Maurice Elvey
A Royalist and his unknown son seek vengeance on his murdered wife's brothers.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: J. Gordon Edwards
William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.
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Dir: Raoul Walsh
Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.
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Dir: Colin Campbell
Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
View DetailsAnalysis relative to We're in the Money
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Amazing Quest of Mr. Ernest Bliss | Gritty | Linear | 86% Match |
| Sky-Eye | Gothic | Dense | 85% Match |
| The Tavern Knight | Surreal | Layered | 96% Match |
| His Royal Slyness | Gothic | Layered | 92% Match |
| Drag Harlan | Tense | High | 93% Match |
This guide was algorithmically generated using the cinematic metadata of Ray Enright's archive. Last updated: 6/25/2026.
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