The Essential Watchlist that Capture the Essence of Wet Paint: Cult...

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Charley Chase

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Doc Saunders, an alcoholic, leaves his little daughter Mayme in the care of his sister and goes West to start a new life. In the little town of Sago, Doc becomes an avowed prohibitionist, thus earning the enmity of Art the saloon keeper. Back East, Mayme grows to adulthood and marries reporter Jimmy Baggs who has just been hired by the newspaper in Sago. When Jimmy begins to drink heavily, Mayme appeals to the town doctor for help. Doc Saunders, recognizing her, chooses not to disclose that she is his daughter, but instead invites them to move into his house for treatment. Jimmy reforms until one day he is sent to the saloon to get a statement on the liquor question for his paper. When Jimmy returns home drunk, Doc, enraged, invades the saloon brandishing a gun and shooting wildly. Doc is arrested and tried, but pronounced not guilty by a jury that sympathizes with him. With Art's power finally broken, Doc confesses to Mayme that she is his daughter, and the family sees an end to their troubles.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of A Case at Law perfectly mirrors the editorial trajectory of our deep dive.

Parisian music hall celebrity Mignon marries young American civil engineer John Stanley. When John is suddenly assigned to undertake an engineering project in the Sahara, Mignon accompanies him and her son to the desert, although she is accustomed to a life of frivolity. After months of discontent, Mignon leaves her husband and son for Russian Baron Alexis, who establishes her in a palace in Cairo. Brokenhearted, John becomes a drug addict. Mignon later runs across her husband and son, who have become beggars. She is filled with remorse and returns to the desert to nurse her husband. John recovers slowly, reconciles with his wife, and the family finds happiness together.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of The Deadlier Sex perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.