Cinematic Discoveries Following the Footsteps of When Husbands Dece...

Dir: Wallace Worsley

Mary Thorne, a quarter-breed Native American, returns home from the East with a college degree and an air of refinement, although she relishes the freedom of her father Marshall's mountain cabin. When Mark Hamilton and Chester Martin visit the cabin on a hunting expedition, Mary, in a spirit of mischief, dons her Indian clothing and convinces them that she is full-blooded. Mark falls deeply in love with the girl, while Chester, contemptuous of her Indian background, though attracted to her, decides to possess her. While her father is hunting for gold at Lost Lake, Chester enters Mary's room and attacks her. Mark rescues her, after which he realizes, by the modern décor of her room, that Mary is a cultured young lady. Later, Marshall is killed by an Indian guard at Lost Lake, but Mary inherits the gold he discovered and marries Mark.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Wallace Worsley

Neysa von Igel, who is living with her supposed grandfather Adolph Schmidt, loves America, although she believes herself to be German-born. Unknown to Neysa, when she was three years old, her American-born parents were killed in Germany by Emil Koenig, whose punishment was to be sent to the United States to work in the interest of the government of the Fatherland, and who is now associated with Schmidt in his manufacturing enterprise. Koenig demands that Neysa work in behalf of Germany. She revolts and escapes to the home of David Hale, who had been her grandfather's attorney but who is now in the service of the United States Government. Hale and Neysa are married and depart for France, where the girl again encounters Koenig, and, after many thrilling adventures, she kills him in self-defense.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Wealthy heiress Diane Westfall, bored with her life, hops into a green van and sets out to seek adventure. She doesn't know that four men are pursuing her--her cousin Carl, who wants her inheritance; Baron Tregar of the small Balkan country of Houdania, who believes that Diane may be the rightful heir to the Houdanian throne; Prince Ronador, who also believes she may be the heir to the throne but wants to kill her so he can get control of it; and Philip Poynter, a young American friend of Baron Tregar's who has met and fallen in love with Diane, and sets out to protect her.

Dir: Wallace Worsley

A deformed criminal mastermind plans to loot the city of San Francisco as well as revenge himself on the doctor who mistakenly amputated his legs.

A visual fragment from the archive: The thematic resonance of An Alien Enemy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wallace Worsley

Unknown to his proud, wealthy family, Granger Hollister marries telephone operator Margery Harding. Granger presents his new wife at an engagement party given for his sister Jane, but Jane's fiance', Lord Cecil Graydon, threatens to break off the betrothal unless Granger's marriage is annulled. To please his sister, Granger sacrifices Margery, who seeks work and later gives birth. After her baby's death, Margery goes West, where she befriends and old miner who later leaves her his fortune. Meanwhile, Granger becomes involved in a fraudulent mining deal, and because of George Osborne's perjured testimony, he is sent to prison for five years. When he escapes, Margery agrees to hide him and is ultimately responsible for obtaining his pardon. Granger then remarries the wife he had abandoned.

A visual fragment from the archive: The thematic resonance of Diane of the Green Van perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Helen Rowland is unresponsive towards her rich husband Henry and spends most of her time at social events. Henry agrees to give financial assistance to young clergyman John Sterling for his missionary cause if Helen can become interested in Sterling's work in the slums. Helen becomes so interested in Sterling's mission work that she admits to Henry that she is in love with the clergyman. Henry then insists that Sterling arouse Helen's hatred. Sterling feigns drunkenness and Helen is so disgusted that she hurries home. Henry is remorseful about the scheme, but confesses he did it out of love for her, and so Helen discovers, finally, that she loves her husband.

Dir: Wallace Worsley

Jane Cabot, a working girl whose mother Marion sings in a cabaret and whose father Jim simply loafs, dreams of leaving the slums for a new life. After Jane's mother is discharged, however, Jane is forced to take her place in McGann's saloon, where she attracts the attention of political boss Thomas Dolan and his young assistant, Lee Stevens, who has recently come to New York from the mountains of the West. When Dolan insults Jane, she throws wine in his face, which infuriates Dolan but deeply impresses the idealistic Westerner. Dolan's systematic harassment causes Jane to lose every position she secures, but Lee, believing her unfaithful, returns to the mountains. Meanwhile, Jane's father is convicted of killing a policeman, and on the day he is imprisoned, her mother commits suicide. Lee learns that Jane still loves him and returns to New York just as Dolan is taking the dazed girl to his apartment. The two men engage in a fierce struggle until the police, who have discovered the politician's corruption, enter and arrest Dolan.