The Global Archive Complementing the Tone of While New York Sleeps:...

Dir: Charles Brabin

A feud has existed between the McLanes and the Conovers in the Tennessee mountains for many years. "Two Gun Carter" leaves Texas after a shooting fray and arrives just in time to witness George Conover's death at the hands of Henry McLane. Carrying young Conover's body to his family, Carter is very moved by their grief that he agrees to become their adopted son and subsequently falls in love with Marian Conover. In an attempt to put an end to the feud, Carter suggests a duel between himself and Henry McLane, but Henry refuses, and so, to uphold his family honor, Tom McLane, the clan leader, accepts the challenge. In the midst of the match, news arrives that Henry has abducted Marian. Carter rushes off and rescues Marian just as Henry and his horse plunge over the edge of a cliff. Carter then demands that an end be put to the feud as he himself was a born McLane and now plans to marry Marian Conover.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of Babette perfectly mirrors the editorial trajectory of our deep dive.

Babette is living with her father, the jailer and hangman in the castle-jail at La Fourche. Raveau, a criminal, comes to the castle and meets her. Her sweetness and purity cause him to realize his form of life is an empty shell. He even restores a necklace purloined from a tourist. Later he and Babette realize their love for each other. Their wedding is celebrated with much pomp. Guinard, a detective, turns up. Realizing his danger, Raveau convinces his wife that their friends are planning to separate them, and gets her to escape with him. They elude Guinard. In Montmartre, Raveau and Babette are like two doves. He again takes up art. But his work is not up to date and he finds the purse growing slimmer. When Babette shyly confesses that there will be another mouth to feed, and that she has given much of their store to Fifine, a "Quarter" girl, whose husband is just coming from prison, Raveau realizes how desperate is his need. He tries once more to sell his wares, without success. An appeal to an old partner brings a turn-down. Raveau then steals banknotes from a man in the post office. Guinard turns up after the baby is born. Without letting Babette know of his crime, Raveau parts from her, saying he has a commission which may take him away for a long time, but in the Commissionaire's office he learns his prosecutor is the husband of a woman to whom he had restored the money won at a gaming salon just before his marriage. The man refuses to recognize Raveau as the thief and he returns to Babette to say he has passed up the commission and will stay with her always, and Babette is happy in her husband's love, ignorant of his sacrifice for her.

Dir: Charles Brabin

John Heppell, a wealthy young man about town, falls in love with Diana Laska, a noted actress, and marries her. After their child is born he tires of her and goes back to his old way of living. Infuriated at his neglect, Diana leaves him and goes abroad with Philip Goodier. He also tires of her in time, and she becomes a notorious character on the continent. Finally she awakens to the evil of her life and tries to reform. She finds her path strewn with thorns as the world holds her for what she has been. A longing is kindled in her heart for her daughter. Her first husband has remarried and refuses to permit her to see her. Sick of life, she attempts suicide. She is attended by Doctor Maxwell. He instills hope into her by promising to aid her in her attempt to see her daughter. Maxwell is an old friend of Heppell and partly by persuasion and partly by threats Diana Laska is received into the Heppell home as the governess for Heppell's son by his second wife. She meets her daughter only to find that she is engaged to Philip Goodier, the man who had cast her off. Horrified, she tells the Heppells her daughter must not marry him. Goodier denounces Diana, while admitting his relations with her, but cannot understand why she should have an influence over the Heppells. Finally, Diana tells him that the girl to whom he is engaged is her daughter. He consents to break the engagement only on condition that she leave the house and never see her daughter again. The woman who has developed under Doctor Maxwell's influence, then makes the supreme sacrifice of giving up her daughter to save her from her own shame. And through this sacrifice she wins atonement for her sins.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of That Sort perfectly mirrors the editorial trajectory of our deep dive.

Becky, a child, is left an orphan by the death of her father and is consigned to the tender mercies of the Misses Pinkertons, who conduct a fashionable school for girls. Becky feels keenly the semi-charitable nature of her life, and, when kindly-hearted Amelia Sedley invites her home, she eagerly accepts. It is then that Becky, the child, becomes Becky, the adventuress, cold, calculating and selfish. With the entrance of Becky into the peaceful Sedley home comes misfortune. Sedley goes bankrupt. Old man Osborne promptly breaks the engagement between Amelia and his son, George. Becky lays her traps for Joseph Sedley, Amelia's brother, and nearly succeeds in her designs on that self-satisfied young man. Urged by his faithful friend, Captain Dobbin, George marries Amelia. This change throws Becky into new surroundings. She goes to Queen's Crawley and enters the most active sphere of her existence. Her adventures with old Pit Crawley, her marriage to Rawdon Crawley, their poverty Becky's flirtation with Lord Steyne and her subsequent separation from Rawdon, the Battle of Waterloo and the death of George Osborne are all faithfully portrayed incidents of Thackeray's novel.

Dir: Charles Brabin

Though the Turk has 15 wives, he yearns to make our heroine his 16th.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of Vanity Fair perfectly mirrors the editorial trajectory of our deep dive.

Edgar Allan Poe, while at college, incurs many debts and is sent home in disgrace. He is ordered from the house by his father. Shortly after, he marries, and tries to make a living by writing, but is a failure financially. His wife dies because he is unable to furnish her with even the bare necessities of life. He is plunged into great grief and despair. All night he sits brooding over his loss. Through his distorted imagination he sees the ominous raven enter his chamber and croak gloomy forebodings. The spirit of his wife also appears and finally he himself dies, and is wafted to heights supernal, where he is united with his "Lenore."

Dir: Charles Brabin

Claiming that he has no need for social butterflies, Warren Dexter refuses to attend a reception at which he was to meet debutante Phyllis Lane. Humiliated, Phyllis makes a wager that she will lead Warren to the altar within the month. To gain his attention, she faints on his doorstep and then realizes that he is not at home. Peering through the window, Phyllis spies a woman stealing the silver, whereupon she enters the house and forces Mollie, the burglar, to exchange clothing with her. When Warren arrives, Phyllis feigns a guilty look and explains that her father and brother force her to steal. Hoping to reform the attractive "crook," Warren offers her a position as his maid and soon falls in love with her. Later the crooks again try to rob him, and after Phyllis helps him to foil their plan, he proposes. Upon learning her true identity, Warren is greatly offended, but Phyllis easily convinces him that her love is genuine.

Dir: Charles Brabin

A visual fragment from the archive: The thematic resonance of The Sixteenth Wife perfectly mirrors the editorial trajectory of our deep dive.

The son of millionaire James Carter, Vantyne deliberately shuns work, which sickens his father, he decides to test his son's ability to become self-sufficient. Carter, Sr. has his lawyer report that he has been killed on a hunting trip, and at the reading of the will, Van learns that, unless he can support himself within six months with only an old farmhouse left to him as working capital, he will lose the family fortune to his cousin Teddy Brown. Van immediately gets busy and, with the help of Arizona Brown, a visiting Westerner with whom he has fallen in love, turns the old farm into a thriving and very fashionable resort. His chance of becoming a millionaire fading fast, Teddy arranges with actress Edith Trentoni to ruin the hotel's reputation by means of a kitchen strike and a jewel robbery. He succeeds, but old Carter finally appears to turn the villain out and proclaim Van and Arizona a successful team.

Dir: Charles Brabin

Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt. Unfortunately the Squire loses interest in Kathleen once a potential gravy train arrives in the person of the exceedingly wealthy Lady Clancarthy. To be rid of Kathleen the Squire abandons her in the forest where she is beset upon by ruffians, but is rescued by Terrence, who is framed for murder for his troubles.

Dir: Charles Brabin

Doris Morse, the daughter of wealthy copper magnate Digby Morse, is eager to escape the unwelcome attentions of the many fortune hunters who pursue her, so she steals away to Atlantic City for a vacation. There she falls in love with Philip Hazard, an earnest and hard working young man, but because his income is so meager, she poses as a Macy's counter girl to avoid wounding his pride. When, by accident, he finally learns of her wealth, the two quarrel. In order to save the romance, her father pretends to disown her, but at the wedding, he secretly gives her a large sum of money in bonds. Doris soon wearies of her modest home and begins to spend the money on furniture and servants, which so piques her husband that he decides to steal the bonds from her safe. Doris is awakened by the noise and fires a shot, wounding Philip. The shock of injuring her husband brings Doris to her senses, and she agrees to live solely on his income.