Recommendations
Senior Film Conservator

After experiencing the stylistic flair of Wickedness Preferred (1928), you are likely searching for more films that share its specific artistic vision. Unlock a new level of cinematic understanding with these Comedy alternatives.
This 1928 Comedy classic stands as a testament to push the boundaries of conventional storytelling.
The influence of Hobart Henley in Wickedness Preferred can be felt in the way modern Comedy films handle stylistic flair. From the specific lighting choices to the pacing, this 1928 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of Wickedness Preferred, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Hobart Henley
Two baby boys are born in Owentown. One is the unwanted offspring of an avaricious grasping father. He grows to an evil manhood, and loses his one chance of real happiness to the play-fellow whose parents have met their responsibilities.
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Dir: Hobart Henley
Madge Nelson is ordered to move to the countryside for health reasons, but her finances prevent her from making the move from the city, so she answers an advertisement for a mail-order bride for miner Hugo Ennis in Nevada. However, Hugo has been the unwilling victim of a humiliation attempt by a scorned lover, and when Madge arrives in Nevada, she learns that he knows nothing about a bride or wedding plans.
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Dir: Hobart Henley
Susie organizes plays to benefit the Red Cross. She marries her hero, Robert, but finds out he did it to avoid the draft. She begs to be taken in his place and is soon captured by the enemy. Will Robert become the hero she believed he was?
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Hobart Henley
A fat man tries to enlist in the Army, but is told he is too large for service. So he joins the YMCA and ultimately proves his heroic mettle anyway.
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Dir: Hobart Henley
The Atlanta Journal on October 4, 1918, advertised this movie with the following blurb: "Atlanta's last chance to see the best movie to date of the wild, free days of Alaska, when men fought and women loved along the Yukon in a mist of snow and gambling hells and gold mining, is Friday and Saturday at the Strand Theater, when Rex Beach's 'Laughing Bill Hyde' ends a week's engagement that has drawn capacity houses to the Strand every day. Will Rogers, cowboy wit of the Ziegfield Follies, is the star of the this thriller and Will Rogers is second to none."
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Dir: Hobart Henley
Sylvia Martin runs away from her abusive father and almost succumbs to the cold on the doorstep of Louis Gordon, a crook. They marry, but later when faced with capture, Gordon kills himself. Gordon's gang accuses Sylvia of murder, and although she is acquitted for lack of evidence, her name is included in the Police Index. Years later, upon finding the Index on the shelf of her second husband, Washington diplomat David Maber, Sylvia fears exposure. Her fears heighten when her arresting officer, John Alden, now chief of the Secret Service, tries to induce her to entrap a Bolshevik agent, Hugo Declasse, who is attracted to her. When Alden appeals to patriotism, she acquiesces. Declasse finds the Index and threatens to expose her unless she cooperates in getting plans for an uprising to London agents, but Declasse is foiled when his trusted Japanese butler turns out to be a Secret Service agent. Maber, learning of Sylvia's past, forgives her.
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Dir: Hobart Henley
Carlotta lives with Giuseppe a violinist, in "Little Italy." the Italian quarter of a great city. With Rags, a monkey, they earn a livelihood playing on the streets. One day Tom, a wealthy chap, is attracted to the girl and asks her to dance at a charity ball, giving her his card and the date. But Giuseppe drags the girl away. Tom and his friend follow them home, but they are seen by Giuseppe, who tells Michael Gavotti, a leader of Black Handers, and his master. Gavotti threatens Giuseppe if he allows Tom to see the girl again. He also tells two of his men to watch the place. While Giuseppe is absent, Tom appears and persuades Carlotta to come to the charity dance. He is seen by Tony, a fruit vendor. In love with Carlotta, and jealous of her, Gavotti's men also see him and are ordered to abduct the girl. Giuseppe returns, finds her gone, and informs Tony. The two are heart-broken. Tony learns that Carlotta is not Giuseppe's daughter. Giuseppe happens to see the monkey, "Rags," near a building and with the aid of Tony he manages to rescue the girl. It is the night of the Charity Ball and Carlotta pleads to be allowed to go and finally Giuseppe consents, if Tony accompanies her. Judge Andrews and his wife have received word from the Black Handers that their granddaughter, held in custody, would be returned upon receipt of a sum of money. Their daughter ran away with an Italian count, and, dying, had left the granddaughter in care of an Italian friend, the father having died some time before. On the night of the charity dance the Black Hand promised to return the girl. Andrews attends the ball, intending to slip away at the appointed time. When Gavotti cannot find the girl, he goes with his men to Giuseppe's room, where they find the old man packing. Not until after they have tortured him does he reveal that Carlotta has gone to the charity ball, where the Judge and his wife are startled by her resemblance to their daughter. Carlotta goes into the garden and is abducted by Gavotti. Tom, Tony and the Judge take up the chase, which ends in Gavotti's quarters. Most of the gang, including Gavotti, are killed. The Judge and Tom take the girl home. Mrs. Andrews is overjoyed at having Carlotta safe. She marries Tom. On her return from the honeymoon she seeks out Giuseppe and Tony, who rejoice with her.
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Dir: Hobart Henley
Carey Wethersbee and her aunt Lucretia live in an old Southern mansion, which through their quaint manners and outmoded costumes, they imbue with an atmosphere of the antebellum South. After her aunt's death, Carey decides to "go visiting" in the North, journeys to a small town and announces her intention to install herself in the home of wealthy mill owner Hiram Ward. The young bachelor is shocked at first, but his friends convince him to allow her to stay. Carey visits Hiram's mill, where she is shocked and saddened by the miserable conditions under which the employees labor. Her distribution of money among the workers fails to avert a strike, but when the mill is blown up, she staunchly defends the accused man. Through her influence, Hiram's attitude towards his employees softens, and he agrees to improve conditions. He grows to love the unspoiled girl, and she eventually returns his affections.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
View DetailsAnalysis relative to Wickedness Preferred
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Parentage | Gritty | High | 85% Match |
| The Peace of Roaring River | Tense | Abstract | 96% Match |
| Mrs. Slacker | Ethereal | Dense | 98% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
| Too Fat to Fight | Gothic | High | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Hobart Henley's archive. Last updated: 6/27/2026.
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