Recommendations
Senior Film Conservator

Ever since Women They Talk About hit screens in 1928, fans have sought that same character-driven intensity, the search for similar titles reveals the deep impact of Lloyd Bacon's direction. These recommendations provide a deep dive into the same stylistic territory occupied by Women They Talk About.
Whether it's the character-driven intensity or the thematic depth, this film to capture the existential zeitgeist of 1928.
A story of two closely-knit relationships, one of which involves John Harrison (Anders Randolph), the mayor of a city and his renewed friendship with a widow and former sweetheart Irene Mervin Hughes (Irene Rich) and the other with the mayor's son, Steve Harrison (William Collier Jr.) and his romance with Irene's pretty daughter Audrey Hughes (Audrey Ferris.)
The influence of Lloyd Bacon in Women They Talk About can be felt in the way modern Comedy films handle character-driven intensity. From the specific lighting choices to the pacing, this 1928 release set a high bar for atmospheric immersion.
Based on the unique character-driven intensity of Women They Talk About, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: William Parke
Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
View DetailsAnalysis relative to Women They Talk About
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Into the Light | Gothic | Abstract | 89% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| The Night Riders | Ethereal | High | 96% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
| Lunatics in Politics | Ethereal | Dense | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Lloyd Bacon's archive. Last updated: 6/28/2026.
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