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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1919 Vision of Bud Fisher
Peeling back the layers of Bud Fisher's All That Glitters Is Not Goldfish exposes the collaborative alchemy between Bud Fisher and the 1919 creative team. Anchored by a narrative that is both personal and universal, it reinforces the idea that cinema is a medium of infinite possibilities.
In All That Glitters Is Not Goldfish, Bud Fisher pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate All That Glitters Is Not Goldfish, one must consider the cinematic climate of 1919. During this period, United States was undergoing significant artistic shifts, and Bud Fisher was at the forefront of this cult movement, often challenging established norms.
| Cinematography | Deep Focus |
| Soundtrack | Diegetic |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of Bud Fisher's style and the core cult narrative.
Mutt and Jeff acquire a bird and fish store.
Decades after its release, All That Glitters Is Not Goldfish remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Bud Fisher's status as a master of the craft in United States and beyond.