Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1936 Vision of D. Ross Lederman
The evocative power of Counterfeit Lady stems from the unique collaboration between the bold experimentation that has become synonymous with D. Ross Lederman. Framed by the hauntingly beautiful landscapes of the production, it echoes the profound changes occurring in United States during that era.
In Counterfeit Lady, D. Ross Lederman pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate Counterfeit Lady, one must consider the cinematic climate of 1936. During this period, United States was undergoing significant artistic shifts, and D. Ross Lederman was at the forefront of this Adventure movement, often challenging established norms.
| Cinematography | Noir-Inspired |
| Soundtrack | Diegetic |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of D. Ross Lederman's style and the core Adventure narrative.
Phyllis Fowler claims to be just a "simple little country girl" trying to get by in the wicked big-city, and she takes a big getting-by step when she pulls a scam that gains her a $17,000 diamond from an exclusive jewelry store. Soon, a private-detective, who has a dupe gem matching the stolen one, the police, and two gangster buddies of the jeweler are all racing each other to get the diamond back from Phyllis. The country-girl provides them all with a wild chase.
Decades after its release, Counterfeit Lady remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying D. Ross Lederman's status as a master of the craft in United States and beyond.