Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1933 Vision of Edward Sedgwick
The enduring fascination with Horse Play is a testament to the artistic risks taken by Edward Sedgwick that eventually paid off. Challenging the viewer to find meaning in the Romance shadows, it reminds us of the fragility and beauty of the 1933s.
In Horse Play, Edward Sedgwick pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Horse Play is defined by its use of shadows and framing, a hallmark of Edward Sedgwick's style. By utilizing a 1933-era palette, the film creates an immersive experience that perfectly complements its Romance themes.
| Cinematography | Noir-Inspired |
| Soundtrack | Experimental |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of Edward Sedgwick's style and the core Romance narrative.
Ranchowner Slim Perkins is in love with his neighbor's niece, Angelica Wayne, but her aunt and uncle throw him off their property because he is a poor bumbler. One day a stranger buys Slim's ranch for one million dollars because the land contains valuable minerals. Slim and his partner, Andy Jones, are overwhelmed by their newfound wealth, but it does not help to soothe Slim's hurt feelings when he finds out that Angelica has gone to England to stay with her other aunt. He decides to bring her his horse, "Cynthia Ann," as a gift, and with Andy and the horse, he sets sail. Once in England, Slim and Andy have difficulty locating Angelica, but the notoriety they gain for bringing their horse into the royal suite at their hotel brings Angelica's aunt, the Duchess of Disborough, to see them. Discovering that they know Angelica, she invites them to a costume ball at her castle. When Andy and Slim arrive, they are outfitted with medieval costumes, and Angelica is thrilled to see them. Slim is disappointed again when he hears that Angelica is engaged to Philip Marley, whom she met on the cruise. Unknown to Angelica, Philip is a jewel thief, and his "sister" is actually his wife. During an enactment of the Robin Hood story, in which everyone participates, Slim and Andy meet a detective from Scotland Yard who is looking for a man with a birthmark on one ear lobe. Slim and Andy join in the search, afraid that Angelica may be in danger, but their unending assault on everyone puts them in disgrace, and the duchess asks them to leave. At the same time, they unwittingly disrupt Philip and Angelica's plans to elope, and as Philip is the only man whose ears have not been checked, they try to locate him. Philip is in the midst of robbing the duke, whom he knocks out. Andy and Slim catch Philip, and after they prove his identity, he is arrested. Angelica returns to America with Slim, Andy and "Cynthia Ann."
Decades after its release, Horse Play remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Edward Sedgwick's status as a master of the craft in United States and beyond.