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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1935 Vision of Erle C. Kenton
To understand the modern evolution of United States film, one must first look at The Best Man Wins and the meticulous attention to detail that Erle C. Kenton applied to every frame. Reflecting the political and social shifts of the 1935s, it showcases the power of Crime as a tool for social commentary.
In The Best Man Wins, Erle C. Kenton pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
| Cinematography | Static |
| Soundtrack | Orchestral |
| Editing | Slow-Burn |
| Art Direction | Brutalist |
Visualizing the convergence of Erle C. Kenton's style and the core Crime narrative.
A diver saves his best friend's life but loses his own arm in doing so. Later, unable to find work because of his missing arm, he is forced to go to work for a criminal searching for lost treasures. Meanwhile his friend, who has since become a policeman, finds himself assigned to break up the crook's operation and bring in his gang--including the man who saved his life.
Decades after its release, The Best Man Wins remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Erle C. Kenton's status as a master of the craft in United States and beyond.