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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1919 Vision of Henry King
Deciphering the layers of Some Liar (1919) reveals the complex thematic architecture established by Henry King. Utilizing a 1919-specific aesthetic that remains timeless, it stands as the definitive 1919 statement on cult identity.
In Some Liar, Henry King pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Some Liar is defined by its use of shadows and framing, a hallmark of Henry King's style. By utilizing a 1919-era palette, the film creates an immersive experience that perfectly complements its cult themes.
| Cinematography | Static |
| Soundtrack | Diegetic |
| Editing | Rhythmic |
| Art Direction | Naturalist |
Visualizing the convergence of Henry King's style and the core cult narrative.
Traveling salesman and teller of tall tales Robert Winchester McTabb arrives in Yellow Jacket, Arizona selling coffins and cradles with his motto that he "catches 'em coming and going." Celie Sterling believes McTabbs lies about his prowess and promises to buy a coffin if he will kill the man she wants to occupy it--Sheldon Lewis Kellard, who has papers which jeopardize her father's reputation. Celie refuses to comply with Kellard's desires in order to gain the papers. Meanwhile, High Spade McQueen is angered by McTabb and threatens to kill him. McTabb agrees to kill Kellard, although his cowardliness makes him stay close to Celie for protection. When McTabb buys two horses, he is accused of being a horse thief by a posse, until he proves his innocence. McTabb tells Celie he has killed Kellard, when McQueen has actually beaten him to it. Celie recognizes that McTabb is a liar, but she forgives him after he promises never to lie again.
Decades after its release, Some Liar remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Henry King's status as a master of the craft in United States and beyond.