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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1931 Vision of Howard Bretherton
The Short DNA of Easy to Get is a reflection of United States's the historical context that Howard Bretherton weaves into the Short fabric. Challenging the viewer to find meaning in the Short shadows, it transcends regional boundaries to tell a universal story.
In Easy to Get, Howard Bretherton pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
In this work, Howard Bretherton explores the intersection of Short and United States cultural identity. The meticulous attention to detail suggests a deep-seated commitment to pushing the boundaries of the medium, ensuring that Easy to Get remains a relevant topic of study for Short enthusiasts.
| Cinematography | Noir-Inspired |
| Soundtrack | Experimental |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of Howard Bretherton's style and the core Short narrative.
In the third of Pathe's Gay Girls comedy series, Harry Myers is a married man who strings one of them along until his wife Isabel Withers, comes along. Later one of them gets a job as a co-respondent in a divorce suit, and Myers is the divorce-seeking husband.
Decades after its release, Easy to Get remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Howard Bretherton's status as a master of the craft in United States and beyond.