Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1918 Vision of James Kirkwood
In the storied career of James Kirkwood, I Want to Forget stands as a the atmospheric immersion that James Kirkwood achieves throughout I Want to Forget. Reflecting the political and social shifts of the 1918s, it reinforces the idea that cinema is a medium of infinite possibilities.
In I Want to Forget, James Kirkwood pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of I Want to Forget is defined by its use of shadows and framing, a hallmark of James Kirkwood's style. By utilizing a 1918-era palette, the film creates an immersive experience that perfectly complements its cult themes.
| Cinematography | Deep Focus |
| Soundtrack | Experimental |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of James Kirkwood's style and the core cult narrative.
Prior to the declaration of World War I, dancer Varda Deering was a member of the Austrian secret service, but she later became a loyal United States citizen. In America, she captivates many men but cares for none until she meets Lieutenant John Long. At first, he regards Varda as little more than a social butterfly, but gradually recognizes her goodness and falls in love with her. While John is away on a war-related diplomatic mission, Varda agrees to aid the U.S. Secret Service in procuring classified documents from August Von Grossman, an agent whom she had known in Austria. Von Grossman threatens to reveal Varda's past unless she accepts his lecherous attentions, and she pretends to accept his terms as she secures information for her adopted country. When John finds Varda in the German's arms, he dismisses her as unfaithful, but she later helps him to penetrate the German spy headquarters. As they escape with the secret papers, the car carrying their pursuers is hit by an express train. Varda explains everything to John, who proves most understanding.
Decades after its release, I Want to Forget remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying James Kirkwood's status as a master of the craft in United States and beyond.