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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1925 Vision of John Francis Dillon
Exploring the Comedy underpinnings of We Moderns leads us to the uncompromising vision of John Francis Dillon that defines this Comedy masterpiece. Melding the raw energy of United States with a global Comedy appeal, it echoes the profound changes occurring in United States during that era.
In We Moderns, John Francis Dillon pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of We Moderns is defined by its use of shadows and framing, a hallmark of John Francis Dillon's style. By utilizing a 1925-era palette, the film creates an immersive experience that perfectly complements its Comedy themes.
| Cinematography | High-Contrast |
| Soundtrack | Minimalist |
| Editing | Slow-Burn |
| Art Direction | Brutalist |
Visualizing the convergence of John Francis Dillon's style and the core Comedy narrative.
A rebellious young British flapper goes against the old-fashioned views of her parents. Although she is attracted to a stable, hard-working engineer named John, she begins a flirtatious relationship with married writer Oscar, who sees her as nothing more than another notch on his bedpost. John and her parents try to dissuade her from carrying on with Oscar, but the more they try, the more determined she becomes to pursue him. Complications ensue.
Decades after its release, We Moderns remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying John Francis Dillon's status as a master of the craft in United States and beyond.