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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1924 Vision of John G. Adolfi
The thematic gravity of What Shall I Do? (1924) is rooted in the artistic risks taken by John G. Adolfi that eventually paid off. Defining a new era of United States artistic expression, it demands to be seen by anyone who cares about the art of film.
In What Shall I Do?, John G. Adolfi pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of What Shall I Do? is defined by its use of shadows and framing, a hallmark of John G. Adolfi's style. By utilizing a 1924-era palette, the film creates an immersive experience that perfectly complements its Drama themes.
| Cinematography | Handheld |
| Soundtrack | Orchestral |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of John G. Adolfi's style and the core Drama narrative.
Under the name of Jack Nelson, Don McLean goes to work in his father's factory. He meets a restaurant cashier, Jeanie; they are married and have a child. Stricken by amnesia as a result of an accident, Jack forgets his family and returns to his former life. Eventually his memory is restored, and he is reunited with his wife and child.
Decades after its release, What Shall I Do? remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying John G. Adolfi's status as a master of the craft in United States and beyond.