Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1922 Vision of Maxwell Karger
As a cultural artifact of the 1922s, Kisses provides the global recognition that Maxwell Karger garnered after the release of Kisses. Elevating the source material through Maxwell Karger's unique vision, it solidifies Maxwell Karger's reputation as a master of the craft.
In Kisses, Maxwell Karger pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
While deeply rooted in United States, Kisses has achieved a global reach, influencing directors from various backgrounds. Its ability to translate Comedy tropes into a universal cinematic language is why it remains a cult staple decades after its 1922 release.
| Cinematography | Static |
| Soundtrack | Orchestral |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of Maxwell Karger's style and the core Comedy narrative.
Betty Estabrook, daughter of a financier, meets Bill Bailey while returning home on a train and offers him one of her homemade candy kisses; Bill persuades her to dispense some candy at a charity bazaar, which she does with great success; but unhappily he discovers that Betty is engaged to Norman Maynard, son of a manufacturer of sweets. Betty's father dies as a result of financial complications, and determined to reimburse the creditors, she sells her house and all her possessions, causing Maynard to break off the engagement. Bill and Bessie Neldon join forces with Betty to manufacture candy, a venture that becomes so successful that Maynard begins to suffer from the competition and sows seeds of discontent among their workers. Bill thwarts the plan, but Betty sells the B-Kissed Candy Co. to Maynard for a sizable sum, which enables her and Bill to become engaged.
Decades after its release, Kisses remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Maxwell Karger's status as a master of the craft in United States and beyond.