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Director's Spotlight
Senior Film Conservator
Director's Spotlight: France
A Deep Dive into the 1931 Vision of Nicolas Evreinoff
The evocative power of Pas sur la bouche stems from the unique collaboration between the bold experimentation that has become synonymous with Nicolas Evreinoff. Framed by the hauntingly beautiful landscapes of the production, it echoes the profound changes occurring in France during that era.
In Pas sur la bouche, Nicolas Evreinoff pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Pas sur la bouche is defined by its use of shadows and framing, a hallmark of Nicolas Evreinoff's style. By utilizing a 1931-era palette, the film creates an immersive experience that perfectly complements its Musical themes.
| Cinematography | Handheld |
| Soundtrack | Experimental |
| Editing | Invisible |
| Art Direction | Kitsch |
Visualizing the convergence of Nicolas Evreinoff's style and the core Musical narrative.
A wife uses the pretext, that her American husband refuses to kiss her on the lips, to divorce him. Later after she is remarried he tries in vain to win her back.
Decades after its release, Pas sur la bouche remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Nicolas Evreinoff's status as a master of the craft in France and beyond.