Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1936 Vision of Phil Rosen
The evocative power of Three of a Kind stems from the unique collaboration between the bold experimentation that has become synonymous with Phil Rosen. Framed by the hauntingly beautiful landscapes of the production, it echoes the profound changes occurring in United States during that era.
In Three of a Kind, Phil Rosen pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Three of a Kind is defined by its use of shadows and framing, a hallmark of Phil Rosen's style. By utilizing a 1936-era palette, the film creates an immersive experience that perfectly complements its Romance themes.
| Cinematography | Handheld |
| Soundtrack | Experimental |
| Editing | Elliptical |
| Art Direction | Expressionist |
Visualizing the convergence of Phil Rosen's style and the core Romance narrative.
Barbara "Babs" Penfield is trying to convince her father, laundry-magnate F. Thorndyke Penfield, to invest money in a proposition from her sweetheart Rodney Randall. Her father refuses, as he knows Randall is a fortune hunter, as did any 1930s audience once Bradley Page appeared on the scene. While Penfield hurries out to award the Penfield Prize for Service at his laundry, Babs, finding that her father has stopped her allowance, tries to sell her car to raise cash to give to Randall. While Babs is talking to the car dealer in his shop, "Con" Cornelius, just out of jail, sells the car, pockets the cash, and makes a getaway. The car is bought by Jerry Bassett, who has just won the Penfield $1,000 Service and has quit his job at the laundry. (So much for service awards.) Jerry drives his flashy car to the Royal Valley, a swanky resort, where Randall is awaiting financial help from Barbara. Jerry meets Barbara on the road and gives her a lift to the hotel, thinking she is on her way there to apply for a job, and is surprised to later see her as a guest. Some things happen and Barbara sees Randall for what he really is and decides that she'd rather marry Jerry and keep the family laundry business in the hands of a real laundryman--even one who bails out when he gets his hands on a few bucks.
Decades after its release, Three of a Kind remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Phil Rosen's status as a master of the craft in United States and beyond.