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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1935 Vision of Ray Enright
Peeling back the layers of Ray Enright's We're in the Money exposes the technical innovation that Ray Enright introduced to the Comedy format. Driven by an uncompromising commitment to Comedy excellence, it stands as the definitive 1935 statement on Comedy identity.
In We're in the Money, Ray Enright pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate We're in the Money, one must consider the cinematic climate of 1935. During this period, United States was undergoing significant artistic shifts, and Ray Enright was at the forefront of this Comedy movement, often challenging established norms.
| Cinematography | Handheld |
| Soundtrack | Synth-Heavy |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Ray Enright's style and the core Comedy narrative.
Two gold-digging process servers are tasked with subpoenaing one's boyfriend, who has been using a pseudonym to avoid breach-of-promise servings and suits.
Decades after its release, We're in the Money remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Ray Enright's status as a master of the craft in United States and beyond.