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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1932 Vision of Robert Florey
Deciphering the layers of Those We Love (1932) reveals a monumental shift in Romance filmmaking spearheaded by Robert Florey. With its avant-garde structure and atmospheric tension, offering layers of thematic complexity that demand repeated viewing.
In Those We Love, Robert Florey pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
To fully appreciate Those We Love, one must consider the cinematic climate of 1932. During this period, United States was undergoing significant artistic shifts, and Robert Florey was at the forefront of this Romance movement, often challenging established norms.
| Cinematography | High-Contrast |
| Soundtrack | Minimalist |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Robert Florey's style and the core Romance narrative.
A young author meets and marries the woman who bought the first copy of his new book. They live happily with their son, but some time later, as the husband is moving into the family's new home, a woman in the neighborhood tries to seduce him. Although he resists, his wife becomes very suspicious, and her distrust threatens to ruin the whole family.
Decades after its release, Those We Love remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Robert Florey's status as a master of the craft in United States and beyond.