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Director's Spotlight
Senior Film Conservator
Director's Spotlight: United States
A Deep Dive into the 1919 Vision of Robert G. Vignola
Deciphering the layers of The Third Kiss (1919) reveals the complex thematic architecture established by Robert G. Vignola. Utilizing a 1919-specific aesthetic that remains timeless, it stands as the definitive 1919 statement on cult identity.
In The Third Kiss, Robert G. Vignola pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
While deeply rooted in United States, The Third Kiss has achieved a global reach, influencing directors from various backgrounds. Its ability to translate cult tropes into a universal cinematic language is why it remains a cult staple decades after its 1919 release.
| Cinematography | Handheld |
| Soundtrack | Diegetic |
| Editing | Rhythmic |
| Art Direction | Naturalist |
Visualizing the convergence of Robert G. Vignola's style and the core cult narrative.
Missy, the heiress to her uncle's fortune, resolves to make atonement for the innocent lives lost when her uncle's box factory burns down because of his criminal carelessness. After her uncle dies, Missy disguises herself as an employee of the new factory and does settlement work where she meets Rupert Bawlf and his wife Cynthia. Rupert's friends Oliver Cloyne and Dr. Paton observe Rupert's infatuation with Missy and tell her that Rupert is the subject of gossip in society circles. Cloyne persuades Missy to wed him and avert scandal for the Bawlfs, and promises to divorce her later. After the honeymoon, Cloyne discovers Missy is an heiress. He kisses her twice and declares that if he kisses her a third time it will mean that he plans to keep her. Rupert is rejected by Missy and repents. Cloyne rescues Missy from a fire and gives her a third kiss that signifies their mutual love.
Decades after its release, The Third Kiss remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Robert G. Vignola's status as a master of the craft in United States and beyond.