Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1924 Vision of Whitman Bennett
The evocative power of Two Shall Be Born stems from the unique collaboration between the subversive storytelling techniques employed by Whitman Bennett in 1924. Synthesizing the best elements of United States and international cinema, it reminds us of the fragility and beauty of the 1924s.
In Two Shall Be Born, Whitman Bennett pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
| Cinematography | Handheld |
| Soundtrack | Synth-Heavy |
| Editing | Rhythmic |
| Art Direction | Naturalist |
Visualizing the convergence of Whitman Bennett's style and the core Drama narrative.
As he lies dying, Count Florian Zuleski of Poland, the head of a committee working for perpetual peace among European nations, entrusts his daughter, Mayra, with the dangerous mission of delivering some important documents to New York. Arriving in the United States, Mayra is unable to establish contact with the Polish representative and goes to live with her aunt. She soon meets Brian Kelly, who is working as a traffic cop after being disinherited by his irate millionaire father for not entering into a marriage of convenience with patrician Janet Van Wyck. Brian and Mayra are secretly married, and she is finally able to deliver the papers, but she is immediately kidnapped by the Polish traitor, Baron von Rittenheim, who takes her to a deserted house in the slums. Mayra is severely beaten but refuses to divulge the whereabouts of the vital documents. She is rescued by Brian, von Rittenheim is turned over to the police, and Brian is reconciled with his father.
Decades after its release, Two Shall Be Born remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Whitman Bennett's status as a master of the craft in United States and beyond.