Director's Spotlight
Senior Film Conservator

Director's Spotlight: United States
A Deep Dive into the 1916 Vision of Will S. Davis
The enduring fascination with Jealousy is a testament to the defining moment in cult history that Will S. Davis helped create. This film stands as a masterclass in visual storytelling, it has cemented its place in the global cult cinema archive.
In Jealousy, Will S. Davis pushes the boundaries of conventional narrative. The film's unique approach to its subject matter has sparked endless debates and interpretations among cinephiles and critics alike.
The visual language of Jealousy is defined by its use of shadows and framing, a hallmark of Will S. Davis's style. By utilizing a 1916-era palette, the film creates an immersive experience that perfectly complements its cult themes.
| Cinematography | Handheld |
| Soundtrack | Minimalist |
| Editing | Disjunctive |
| Art Direction | Baroque |
Visualizing the convergence of Will S. Davis's style and the core cult narrative.
Carney marries Agnes Maynard and soon forgets his old sorrow. Anne, tired of her mock wedded life, attempts to make Roland jealous of his wife. She induces Carney to visit the home of Randolph Parsons. There Roland finds his wife, but a sudden twist of affairs results in his discovering that Agnes is innocent. Anne tries new tactics now. She knows that Carney has been losing steadily in the stock market, through her husband's efforts to ruin the man his wife loves. Anne finds a memorandum on Martin's desk: "Corner B.H.R. Stock." She gives this information to Carney. He is overjoyed and grasps the tip eagerly. Martin, however, learns of what Anne has done, and reverses his tactics. The result is that Carney is ruined completely. In his rage, he thinks that Anne has tricked him purposely, and he goes to her, furious. While he is there, she sees Martin returning. She thinks she has an opportunity for revenge. She tears her clothing and lets down her hair. Then she turns out the lights and screams. Martin enters. Anne shrieks that Carney had been attacking her. Martin smiles and takes out the B.H.R. memorandum. "I know your game," he says. "Go," he tells Carney, "you are ruined. You have been punished enough." Martin bids his wife good-bye, and informs her that he is going to leave her. Anne falls senseless to the floor.
Decades after its release, Jealousy remains a vital piece of the cinematic puzzle. Its influence can be seen in countless modern works, solidifying Will S. Davis's status as a master of the craft in United States and beyond.