
::selection{background:#EAB308;color:#000;} A shimmering curio from the pre-Code sandbox, Ambrose and the Bathing Girls lands like a spiked punch at a church social: all effervescence on the surface, but with a kick that rattles the corset stays of propriety. The film, clocking in at a brisk twenty minutes, neverthe...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Mack Swain

Reggie Morris
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" ::selection{background:#EAB308;color:#000;} A shimmering curio from the pre-Code sandbox, Ambrose and the Bathing Girls lands like a spiked punch at a church social: all effervescence on the surface, but with a kick that rattles the corset stays of propriety. The film, clocking in at a brisk twenty minutes, nevertheless sprawls across the imagination like a sunbather who refuses to leave the sand even as the tide rolls in. Director Raymond Griffith—working under the pseudonym “R. G. Swift” to..."


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