Summary
In a bleak, rain‑laden cityscape, Harald Bredow’s character, a weary former soldier, stumbles into a labyrinth of vice and longing. The narrative threads through his desperate attempts to reclaim dignity, as he navigates a world where the opalescent allure of cocaine masks deeper despair. Erna Rehberger’s femme‑fatale, a woman of fragile grace, becomes both catalyst and mirror to his internal conflict, while Ernst Pittschau and the ensemble cast paint a portrait of a society teetering on the brink of moral collapse. The film culminates in a haunting confrontation that forces the protagonist to face the hollowness of his choices, leaving the audience to ponder whether redemption can rise from the ashes of addiction.
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