Mary Archer, a manicurist in a big city, becomes infatuated with Western rancher Devil McCare. He also falls for her, to the dismay of the wealthy society girls who try to tempt him.
J. Francis Dunbar
United States
In the pantheon of early American cinema, few films capture the friction between burgeoning urbanity and the fading frontier with as much idiosyncratic charm as Devil McCare. This 1919 relic, often overshadowed by the high-budget spectacles of its era, offers a fascinating psychological blueprint of the 'New Wom...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Lorimer Johnston
Lorimer Johnston
Community
Log in to comment.
" In the pantheon of early American cinema, few films capture the friction between burgeoning urbanity and the fading frontier with as much idiosyncratic charm as Devil McCare. This 1919 relic, often overshadowed by the high-budget spectacles of its era, offers a fascinating psychological blueprint of the 'New Woman' emerging from the service class into the wild unknown. The Urban Crucible: Mary Archer’s Metamorphosis The film opens not in the sweeping vistas of the West, but in the..."
Lorimer Johnston
