A stranded troupe of players are offered a substitute for their ordinary mode of gaining a livelihood, in the managing of a beauty institution..
Keene Thompson
United States

The lights never quite come up in Good Morning, Nurse; instead they hover in a perpetual dawn of powder-smoke and chlorine, a liminal glow that makes every corridor look like the wings of a theatre whose show closed decades ago. Keene Thompson’s screenplay—laconic even by two-reel standards—treats plot as a clothesli...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

James H. Clemens

Henry Edwards
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" The lights never quite come up in Good Morning, Nurse; instead they hover in a perpetual dawn of powder-smoke and chlorine, a liminal glow that makes every corridor look like the wings of a theatre whose show closed decades ago. Keene Thompson’s screenplay—laconic even by two-reel standards—treats plot as a clothesline on which to hang contraptions of flesh, farce, and frantic self-reinvention. The film’s first miracle is that it moves at all: a caravan of jaded hoofers, stranded when their th..."


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