Glamorous New York model Molly (Marie Prevost) yearns for a life of luxury but spurns the advances of her boss' son in favor of a shipping clerk. Their plans for marriage and a suburban home are nearly ruined by a misunderstanding on her part; she is nearly compromised by the boss' son but is brought to her senses and returns to the man she loves.


a{color:#0E7490;text-decoration:none;border-bottom:1px dotted #0E7490} a:hover{color:#EAB308;border-color:#EAB308} blockquote{border-left:3px solid #C2410C;padding-left:1.2em;margin:1.5em 0;font-style:italic;color:#EAB308} Gotham, 1928: jazz on the gramophone crackles like static electricity, hemlines wage gu...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Hobart Henley

Hobart Henley
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" a{color:#0E7490;text-decoration:none;border-bottom:1px dotted #0E7490} a:hover{color:#EAB308;border-color:#EAB308} blockquote{border-left:3px solid #C2410C;padding-left:1.2em;margin:1.5em 0;font-style:italic;color:#EAB308} Gotham, 1928: jazz on the gramophone crackles like static electricity, hemlines wage guerrilla war on propriety, and the movies—those opium-den flickers—discover how to make silence scream. Into this neon vacuum glides Her Night of Nights, a Paramount programmer once..."

George B. Williams
Doris Schroeder, C.S. Montayne
United States


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