Is it worth it? Honestly, you have to be in a specific mood for Il trattato scomparso. It’s not exactly a thrill ride. If you like the feeling of old libraries and men in suits shouting about papers, you’ll dig it. If you want something fast, just go watch Hell Divers instead. There’s a weird, stiff energy to the whol...
production_art
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Mario Bonnard
Tom Collins
Community
Log in to comment.
"Is it worth it? Honestly, you have to be in a specific mood for Il trattato scomparso. It’s not exactly a thrill ride. If you like the feeling of old libraries and men in suits shouting about papers, you’ll dig it. If you want something fast, just go watch Hell Divers instead. There’s a weird, stiff energy to the whole thing. It’s like everyone is acting at 1.5x speed while the cameras are stuck in mud. I couldn't stop looking at the way Ernesto Sabbatini moves through the frame. He enters room..."
Leo Galetto, Mario Bonnard, Riccardo Artuffo
Italy
