
This Czech sophisticated romantic comedy, filmed by director Anton also in a parallel French version ("Une petite femme dans le train"), casts beautiful Czech star Baarova in the role that Meg Lemonnier played in the Gallic version. Both versions seem to owe something to the sophisticated "continental" comedies of Lubitsch and, later, Korda, although Anton was not exactly in their league.

Is this worth a watch? Honestly, you probably shouldn't go into Jsem děvče s čertem v těle expecting a masterpiece of the Lubitsch variety. It’s light, it’s dated, and it moves at the pace of a 1930s train, but if you have a soft spot for pre-war European fluff, you'll find something here to like. If you get bored by b...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Karl Anton

Maurice Campbell
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"Is this worth a watch? Honestly, you probably shouldn't go into Jsem děvče s čertem v těle expecting a masterpiece of the Lubitsch variety. It’s light, it’s dated, and it moves at the pace of a 1930s train, but if you have a soft spot for pre-war European fluff, you'll find something here to like. If you get bored by black-and-white comedies where people just talk in parlors for twenty minutes straight, maybe skip it. The whole thing feels a bit like a curio, doesn't it? Knowing what happens to..."
Světla Svozilová
Saint-Granier, Paul Schiller, Emil Artur Longen, Léo Marchès
United States


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