A smuggler is in love with a girl who is involved with another man. In a rage of jealousy the smuggler pins a murder on the girls lover.
Alright, so we’re talking about La lanterna del diavolo. This one, well, it’s not for everyone, for sure. If you’re into really old Italian cinema, the kind that moves at its own pace and isn’t afraid of a bit of dramatic flair, then yeah, give it a shot. You’ll probably appreciate the mood. But if you’re looking for s...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Carlo Campogalliani
Wilfred Lucas
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"Alright, so we’re talking about La lanterna del diavolo. This one, well, it’s not for everyone, for sure. If you’re into really old Italian cinema, the kind that moves at its own pace and isn’t afraid of a bit of dramatic flair, then yeah, give it a shot. You’ll probably appreciate the mood. But if you’re looking for something fast, something with a super tight plot, or anything that feels modern, you’re going to hate it. Seriously, it’s a bit of a slog if you’re not prepared for it. Think of it..."
Gian Bistolfi, Leo Menardi
Italy
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