

In the pantheon of early Soviet cinema, the names Eisenstein, Vertov, and Pudovkin often cast such long shadows that equally compelling works are frequently left in the dark. Moroka, a 1925 silent drama directed by Yuri Zhelyabuzhsky, is a prime example of a film that deserves a modern reassessment. It is a work that e...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Evgeniy Ivanov-Barkov

Robert N. Bradbury
Community
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"In the pantheon of early Soviet cinema, the names Eisenstein, Vertov, and Pudovkin often cast such long shadows that equally compelling works are frequently left in the dark. Moroka, a 1925 silent drama directed by Yuri Zhelyabuzhsky, is a prime example of a film that deserves a modern reassessment. It is a work that eschews the grand, sweeping montages of the revolutionary avant-garde in favor of a claustrophobic, deeply felt humanism. To watch Moroka today is to witness the birth of a specific..."
D. Rudensky
Soviet Union

