If you are looking for a lost cinematic masterpiece, you should probably keep moving. But if you have a soft spot for dusty Weimar-era comedies where everyone yells and runs through doors, *Muß man sich gleich scheiden lassen* is a weirdly charming way to spend eighty minutes. Modern viewers who need crisp sound or ha...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Hans Behrendt
Hans Behrendt
Community
Log in to comment.
"If you are looking for a lost cinematic masterpiece, you should probably keep moving. But if you have a soft spot for dusty Weimar-era comedies where everyone yells and runs through doors, *Muß man sich gleich scheiden lassen* is a weirdly charming way to spend eighty minutes. Modern viewers who need crisp sound or hate subtitles will absolutely despise this. It is loud, frantic, and the audio sounds like it was recorded inside a metal bucket. 🪣 The plot is basically about a married couple wh..."
Ernst Marischka, Hans Behrendt, Hans von Wolzogen
Germany
Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Hans Behrendt
