My Sorrel Horse

Amid the rolling pampas of a sun‑bleached province, Amancio—son of a venerable judge and self‑styled arbiter of rural propriety—wields his inherited authority like a brandished whip. He arrives at the dilapidated Eulalia Ranch, a modest estate clinging to the horizon, determined to impose a draconian set of regulations upon its owners and the surrounding equine community. The ranch’s matriarch, Eulalia, a stoic woman whose life is interwoven with the land and her sorrel horse, faces the specter of eviction as Amancio’s edicts threaten to strip her of both property and dignity. Yet his motives are far from altruistic; beneath the veneer of legal guardianship lies a predatory desire to extract Eulalia’s amorous favors, leveraging his power to coerce compliance. As the tension escalates, the narrative unfurls through a series of confrontations—legal maneuvers, whispered alliances among neighboring ranchers, and the silent rebellion of the horses themselves—culminating in a fraught showdown that interrogates the corrosive interplay of class, gender, and the mythic bond between human and animal. The film’s denouement leaves the audience to ponder whether justice can ever be disentangled from the personal appetites that drive those who claim to uphold it.