Paul, a press agent for the Bijou Theatre, loses no opportunity to inform the public of the attractions at his house. He mounts his placards everywhere, his favorite place being the back of an unsuspecting passer-by.
In the annals of early cinematic endeavors, where the moving image was still finding its voice and its narrative rhythms, certain films emerge as more than mere historical curiosities. They stand as vibrant, often prescient, commentaries on human nature and societal quirks. One such sparkling, albeit perhaps underap...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Ralph Ceder
Charley Chase
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" In the annals of early cinematic endeavors, where the moving image was still finding its voice and its narrative rhythms, certain films emerge as more than mere historical curiosities. They stand as vibrant, often prescient, commentaries on human nature and societal quirks. One such sparkling, albeit perhaps underappreciated, gem is the silent comedy Post No Bills. This delightful romp, a quintessential product of its era, offers far more than simple slapstick; it presents a satirical look at..."
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