Chasing a gambler that stole money, Tom Larkin gets his horse shot out from under him. Meeting an outlaw with a horse, after a fight Tom rides away on that horse.
Is it worth the watch? If you’re the kind of person who enjoys a rainy Sunday afternoon with a grainy, black-and-white western playing in the background, you’ll probably find something to like here. It’s short, it’s punchy, and it doesn’t overstay its welcome. If you need logic or complex character arcs to stay awake, ...
still_frame
still_frame
still_frame
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Robert F. Hill
Edward LeSaint
Community
Log in to comment.
"Is it worth the watch? If you’re the kind of person who enjoys a rainy Sunday afternoon with a grainy, black-and-white western playing in the background, you’ll probably find something to like here. It’s short, it’s punchy, and it doesn’t overstay its welcome. If you need logic or complex character arcs to stay awake, skip it. This is pure 1933 factory-floor filmmaking. The whole mess kicks off because someone shoots Tom Larkin’s horse. Honestly, that was the most upsetting part of the first ac..."
W.C. Tuttle, Jack Curtis, Keene Thompson
United States
