On a voyage to Europe, reformed criminal Anthony Trent seeks former war comrade "William Smith," the only person who knows his true identity. In England, Anthony discovers that Smith's real name is Arthur Grenvil, the son of the Earl of Rosecarrel.


Imagine, if you will, a nitrate reel crackling through a carbon-arc beam: the frame flares like magnesium, and suddenly 1921 is licking your cheek with tongues of silver nitrate smoke. The Silver Car—that curious orphan of the silent age—materialises less as a story than as a fever dream stitched from gun-metal greys ...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.

David Smith

David Smith
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" Imagine, if you will, a nitrate reel crackling through a carbon-arc beam: the frame flares like magnesium, and suddenly 1921 is licking your cheek with tongues of silver nitrate smoke. The Silver Car—that curious orphan of the silent age—materialises less as a story than as a fever dream stitched from gun-metal greys and champagne glare. Director-producer duo Ingleton and Martin, both scandalously under-remembered, sculpt a narrative that pirouettes on the edge of pre-Code cynicism yet lands sq..."
E. Magnus Ingleton, Wyndham Martin
United States


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