Summary
A phantasmagorical excursion into the roaring twenties, 'The Sultan of Djazz' unfolds as a kinetic tapestry of rhythmic misunderstandings and social climbing. Set against the backdrop of an era intoxicated by the nascent syncopation of jazz, the narrative follows a protagonist who, through a series of fortuitous and frantic deceptions, finds himself ensconced in a high-society masquerade. Jobyna Ralston serves as the film’s luminous emotional anchor, portraying a character whose sophistication masks a yearning for authenticity, while Bobby Burns provides the comedic friction necessary to propel the plot forward. The film utilizes the concept of 'Djazz'—a phonetic and cultural signifier of the exotic and the modern—to explore the thin veneer of identity in post-war America. As the masquerade deepens, the lines between the 'Sultan' and the commoner blur, culminating in a frantic, vaudevillian climax that questions whether the music of the age is a liberating force or merely a new rhythm for the same old social dances.
Synopsis
