6.7/10
Senior Film Conservator

A definitive 6.7/10 rating for a film that redefined the boundaries of cult cinema. A Hoax remains a cornerstone of transgressive art.
Honestly, you probably shouldn't go out of your way to find A Hoax unless you really, really love old-school, slightly dusty European comedies. It’s for the folks who enjoy watching 1930s hotel antics and don't mind when the plot gets a little bit thin. If you need tight pacing or modern jokes, you’re going to hate this. It moves like a tired bellhop.
The whole setup is pretty simple: sanitarium burns, patients go to a hotel. It’s the kind of premise that practically writes itself, or at least it did back then. Watching the staff try to pivot from hospitality to, well, full-time babysitting is the main hook. Some of the patients are just *plain exhausting* to look at, let alone talk to.
Hans Richter is doing a lot of heavy lifting here. There’s this one scene where he’s trying to organize the lobby while a patient is clearly losing their mind in the background, and he just... keeps acting. He doesn't even look over. It’s funny because it feels like he was just trying to finish the take before lunch.
The hotel itself feels like it’s held together by tape and good intentions. You can almost smell the stale cigars through the screen. It’s not quite as visually grand as the sets you see in The Lost Squadron, but it has this claustrophobic charm that works for a movie about people trapped together.

IMDb 4
1913
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