5.8/10
Senior Film Conservator

A definitive 5.8/10 rating for a film that redefined the boundaries of cult cinema. Annapolis Farewell remains a cornerstone of transgressive art.
If you have a thing for black-and-white dramas about the dignity of old sailors, you might find this charming. If you are looking for action or anything resembling a modern pace, you will probably be checking your watch within ten minutes. It’s definitely not for everyone, but there’s something strange about how much this movie cares about a decommissioned hunk of steel.
Commodore Fitzhugh is the kind of guy who probably yells at clouds. He hangs around the Annapolis Naval Academy like he’s still in charge, constantly reminding everyone about the "old navy." It feels a bit like watching someone talk about a high school football game they won forty years ago.
The USS Congress is technically just a prop, but the movie treats it like a retired pet. Seeing it docked there in the harbor, just waiting to be towed away for target practice, actually kind of hurt. You know how it is, sometimes you start feeling for the scenery more than the people.
There's this moment when the reality hits the Commodore, and the camera just lingers on his face. It’s not subtle acting, but it hits the spot. He’s not just losing a ship; he’s losing his relevance, I guess.
If you've seen Oh, You Beautiful Doll, you know how these older films can get caught up in their own nostalgia. It’s the same vibe here, just with more anchors and less music. Sometimes I wonder if these characters ever just sit down and have a normal conversation.
The whole "going down with the ship" thing feels like a bit much, honestly. But in the context of the movie, it makes perfect sense for a guy who has nowhere else to go. It’s a quiet, melancholy sort of ending that doesn't try to solve all the world's problems. It just lets the old guy have his moment.
It’s not a masterpiece, but it’s a decent enough way to kill an hour if you're feeling a bit sentimental yourself. ⚓️

IMDb —
1930
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