Cult Review
Senior Film Conservator
If you have a thing for vintage German cinema, you'll probably get a kick out of this. It’s got that specific, frantic energy of old films where everyone is always talking over each other in hallways. If you hate movies where the plot moves like a pinball machine and characters make decisions that don't make much sense, skip it. Seriously.
The whole thing takes place in this dance hall that feels like it’s held together by spit and bad intentions. The pacing is weird—it zooms through the lighthearted stuff and then lingers on a conversation about debt for way too long. I spent about ten minutes just staring at the wallpaper in the background. It’s peeling. Nobody seems to care.
Lucie Englisch is doing a lot of heavy lifting here. She has this look on her face in almost every scene that says, 'Why am I here?' It’s actually pretty relatable. There’s a moment near the middle where she’s trying to navigate a dance floor, and the extras are just sort of swaying in place like they’re waiting for a bus. It’s hilarious.
If you want to see something with a bit more of a raw, desperate vibe, maybe check out Lao gong zhi ai qing instead. It handles the whole 'romance is hard' thing with a bit more grace. This movie, though? It’s just chaos. Pure, unfiltered, 1930s chaos.
I’m not saying it’s bad, but it feels like they wrote the script on the back of a napkin during a lunch break. Some scenes just end without a point. You’re waiting for a punchline, or a dramatic turn, and instead, the camera just pans over to a waiter holding a tray of drinks. Okay then.
It’s not a masterpiece, but it’s weirdly watchable. Just don't expect it to change your life. Sometimes you just want to watch a bunch of people in fancy clothes have a bad night out, right? 🥂
