5.8/10
Senior Film Conservator

A definitive 5.8/10 rating for a film that redefined the boundaries of cult cinema. Bottoms Up remains a cornerstone of transgressive art.
Look, if you’re the type of person who needs a tight script and perfect pacing, stay away. You’re going to be annoyed by how quickly characters change their minds and how the plot just sort of wanders off into the bushes half the time. But if you have a soft spot for pre-code Hollywood nonsense, the kind where everyone is yelling over each other and trying to scam the next guy, you might find something to like here.
Spencer Tracy is in this, obviously. He’s doing his usual thing, playing the guy who’s just a little bit too smart for his own good. It’s interesting to see him navigate these scenes because you can tell he’s trying to hold the whole thing together while the rest of the movie is basically vibrating out of control.
The whole premise is about these two absolute phonies trying to break into the movie biz. It’s funny because they aren't really good at it, but that’s the point, I guess. The movie feels like it was written on the back of a napkin during a long lunch, which gives it this frantic, desperate energy. Sometimes that’s better than a perfectly polished script.
There’s this one sequence in the middle where everything goes sideways at the studio, and it just… keeps going. It doesn't transition to the next scene when it should. It just sits there. It’s like the director forgot to yell cut, or maybe he just liked watching the chaos unfold. Honestly? It works.
It reminds me a bit of the frantic energy in Keep Smiling, where you get the feeling that if the actors stopped moving for even a second, the whole production would just collapse into a pile of sawdust. It’s not a masterpiece. It’s not even a particularly good movie by modern standards.
But it has this weird, jagged soul to it. It’s not trying to be a Life of Christ-level epic, and thank goodness for that. It’s just a scrappy little story about people who want to be famous and have absolutely no business being anywhere near a camera lens.
Watching this made me think about The Chorus Kid. Both films have this obsession with the grind of show business. You can almost smell the cheap hairspray and the stale coffee in every frame. It’s not pretty. It’s just honest in the messiest way possible.
I wouldn't tell you to go out of your way to find a high-quality print of this. Just watch it, take it for what it is, and don't expect it to explain itself. It won't.

IMDb 5
1930
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