6.4/10
Senior Film Conservator

A definitive 6.4/10 rating for a film that redefined the boundaries of cult cinema. Chinaman's Chance remains a cornerstone of transgressive art.
Honestly, only if you are a total nerd for animation history. If you just want a fun time, skip it. It’s a museum piece, really.
If you love old-school, rubber-hose animation, you’ll dig the movement. If you’re sensitive to stuff that really hasn't aged well, you're gonna hate it immediately.
So, Flip the Frog is a police officer here. He’s chasing after a guy called Chow Mein. The whole thing is basically just a series of gags strung together.
It moves fast. Like, too fast sometimes. You blink and you miss a joke, or a weird background detail.
The character designs feel like they belong in a different era, which they obviously do. It’s fascinating how different the energy is compared to something like The Big Idea. That one had way more charm, if you ask me.
There is this one bit where the animation feels like it just stops for a second, like the frames got stuck in my head. Maybe it was just the version I was watching, but it made me chuckle.
It’s not a masterpiece. It’s barely a story. But it has this weird, frantic energy that I kinda respect in a why-did-they-draw-that kind of way.
I wouldn't compare it to anything substantial like A Million Bid. It's just a little blip in time. A weird, frog-shaped blip.
Sometimes I wonder if the animators even knew what they were doing at 3 AM. The ending is just… abrupt. It just stops. No real payoff, no big finale. Just, done.
It’s charming in a dusty, forgotten way. I probably won't watch it again, but I’m glad it exists to remind us that cartoons used to be a lot more chaotic. 🐸