5.4/10
Senior Film Conservator
A definitive 5.4/10 rating for a film that redefined the boundaries of cult cinema. Der Herr Senator. Die fliegende Ahnfrau remains a cornerstone of transgressive art.
Honestly, you probably already know if you’re the type of person who digs these old black-and-white comedies. If you want a fast-paced thriller, keep walking. This is for the folks who love looking at 1930s fashion and hearing people shout in German while doors slam in the background.
If you hate stiff acting or jokes that feel like they’ve been sitting in a cupboard for ninety years, you’ll likely find this a chore. It’s definitely not for everyone. 👻
The whole thing feels like a stage play that decided to wander onto a film set and forgot to leave. There’s a specific kind of energy here, the kind that reminded me a bit of the frantic, slightly unhinged pacing in What's Your Husband Doing? where everyone is just constantly running in circles.
Valy Arnheim is doing a lot of heavy lifting. He’s got that classic, wide-eyed look of a man who just realized his life is a total disaster, and he keeps that face for about 80% of the movie. It’s kind of impressive, really.
There’s a moment near the middle where the film just stops to let a musical number happen, and I’m still not sure if it was supposed to be there or if the editor just fell asleep on the wrong button. It’s bizarre. I loved it. 🤷♂️
Sometimes the movie gets so caught up in its own silliness that it forgets to be a story. It just becomes a collection of people acting shocked at ghosts. It’s not trying to win an Oscar, that’s for sure.
I found myself thinking about Carry On! while watching this, mainly because both films have this weird, infectious desire to just keep the camera rolling even when the plot has clearly left the building.
Do you need to watch this? No. Is it charming in a dusty, mothball-scented kind of way? Yeah, maybe. It’s definitely an oddity.
Note to self: stop expecting these old films to make sense. It’s the vibe that counts.
