6.1/10
Senior Film Conservator

A definitive 6.1/10 rating for a film that redefined the boundaries of cult cinema. Felix the Cat in Forty Winks remains a cornerstone of transgressive art.
You should probably watch this if you’ve ever laid in bed at 3 AM staring at the ceiling and wishing your brain would just shut up for five minutes. If you’re looking for a tight plot or something that makes sense, you are going to hate this 8-minute trip into madness.
I found myself watching this on a loop the other night because I couldn't sleep myself. It's funny how a cartoon from nearly a hundred years ago can feel so personal when you're exhausted.
The whole thing starts with Felix trying to get some shut-eye. But the world is just out to get him. 🐈⬛
There is this clock. This giant, ticking clock that feels like it’s pounding inside your own skull. The way Otto Messmer draws the sound waves—like they are physical objects hitting Felix—is just genius in a very simple way.
It reminds me of how sometimes you can't ignore the sound of your own heartbeat when the room is too quiet. The animation has this bouncy, rubbery quality where everything feels like it’s made of old tires.
Felix is such a weird little guy. He doesn't just walk; he stalks. He thinks with his whole body. His tail literally turns into a question mark when he's confused, and I honestly wish I could do that in real life during meetings.
Anyway, he ends up trying to find a place to sleep and stumbles into "The Land of Forty Winks." This is where the movie gets truly bizarre. It stops being a cartoon about a cat and starts being a surrealist nightmare.
There are these creatures called "Winks." They look like little gnomes or something? They are supposed to be helpful, I guess, but they mostly just creep me out. They have these blank faces that remind me of the extras in Stella Dallas who just stand there looking slightly wrong.
This was 1930. Sound in movies was still kind of a new toy that people didn't quite know how to play with yet. The music in Forty Winks is scratchy and weirdly upbeat while Felix is clearly suffering.
It creates this disconnect. Like you're watching a tragedy but someone is playing a kazoo in the background. It’s disturbing but you can’t look away.
I noticed one scene where Felix’s bed starts walking. It’s such a small moment, but the way the legs move is so fluid and creepy. It’s way more creative than some of the big-budget stuff we see now where everything is just CGI explosions.
Speaking of big-budget, it’s wild to think this was coming out around the same time as epic stuff like Dr. Mabuse, the Gambler. While those movies were exploring grand crimes and psychology, Felix was just over here fighting a sentient alarm clock.
There’s a part where Felix gets chased by a giant needle? Or maybe it was a spear? I don’t know, I didn't write it down, but it felt like a metaphor for a migraine. It’s high burstiness animation—one second he’s fine, the next second the whole world is melting.
I think the reason Felix eventually lost out to Mickey Mouse is because Felix is a bit of a jerk. And he’s dark. Mickey is all smiles and corporate safety, but Felix feels like he’s one bad day away from a total breakdown.
In Forty Winks, you really feel that breakdown coming. The pacing is all over the place. It speeds up when he’s panicked and then slows down to a crawl when he’s trying to sneak around. It’s not "perfectly paced," it’s anxious.
I love that about it. It feels human. It feels like someone sat down and drew their own frustrations with being awake when they shouldn't be.
It’s not as polished as something like Flying Hoofs, which had its own rhythm, but it’s got more soul in its pinky finger than most modern reboots.
The ending is a bit abrupt. Like the animators just ran out of paper or time. He just... wakes up? Or goes back to bed? It doesn't really resolve the tension, which is exactly how insomnia feels. You don't "win," you just eventually pass out from exhaustion.
One reaction shot of Felix looking at a giant bottle of "Sleeping Potion" lingers just a bit too long. It becomes funny, then sad, then funny again. It’s that kind of movie.
If you enjoy seeing how people used to imagine the subconscious before everyone had a therapist, give this a watch. It’s messy. The lines aren't always straight. The sound might hurt your ears a little bit. But it’s real.
Also, the cat’s feet make a weird tapping noise that I’m pretty sure was just a guy hitting a piece of wood in a studio, but it works. Sometimes the simplest stuff is the best. 😴
Is it a masterpiece? Probably not. But I’ll take a weird 1930s cat over a generic superhero any day of the week. It’s just got that vibe, you know?

IMDb 5
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