5.4/10
Senior Film Conservator

A definitive 5.4/10 rating for a film that redefined the boundaries of cult cinema. Flames remains a cornerstone of transgressive art.
So, is Flames, a little flick from way back in 1932, worth digging up today? Probably not for everyone, honestly. If you're into seeing how movies were made almost a century ago, or just curious about what passed for drama then, you might get a kick out of it. But if you're looking for big thrills or a super tight story, you can probably skip this one. It's an interesting peek, though.
Right from the start, we meet Fred Parker and Johnny Mack Brown, playing firefighters Brown and his buddy. Brown, he’s a confident young guy, all smiles and earnest looks. You can tell he’s the hero type, even if the story is just kinda *there*.
The whole thing kicks off with a cat rescue. Seriously, a cat stuck on a ledge. It's the most exciting thing for a good five minutes. And this little stunt, it brings Brown and his pal into contact with two women. Cue the budding romance, because of course.
Noel Francis plays the main girl, and she's got that classic '30s screen presence. Her interactions with Brown are cute, a bit stilted, but that's part of the charm of these old films. They feel like a different planet sometimes.
Then comes the fire. Oh, the fire. It’s supposed to be this huge, dramatic moment. An apartment building is ablaze, right next door to the girlfriend’s place. Talk about bad luck, right? 🔥
The fire scenes themselves are… well, they’re something. Lots of smoke, guys running around with hoses that don't seem to do much. You see a lot of people just kind of standing there, looking concerned. There's a moment where a woman is trapped on a window ledge, and it feels like the whole scene goes on a little too long. You can almost feel the movie trying to convince you this moment matters, really.
Brown, our hero, he gets right into it. He’s all brave and determined. Johnny Mack Brown’s face, man, it really sells the idea that he’s *focused*. He pushes through the smoke and the chaos, trying to save the day.
One thing that sticks out is how the film handles danger. It's not intense in a modern way. More like, 'Look, there's a fire! Isn't that something?' The stakes are clear, but the execution sometimes feels a little… muted. It’s hard to feel truly worried for anyone, even with all the frantic running.
There's a scene where the firefighters are trying to get their equipment ready, and it feels a bit clunky. Like they're doing a dance rather than fighting a real, raging inferno. You just kind of wonder how they ever put out anything back then. 🚒
The dialogue is pretty straightforward. No big speeches or deep monologues here. Just people saying what they need to say to move the plot along. It’s very much of its time, very direct. The kind of movie where you can half-listen and still get the gist.
I found myself noticing the smaller details. Like, the way the extras are dressed, or the old cars on the street. It’s a snapshot of a forgotten world. The sound design too, it’s rudimentary. The crackling fire sounds almost cartoonish sometimes.
This isn't a film you put on for a thrilling Saturday night. It’s more for a quiet afternoon, maybe with a cup of coffee, when you want to just *observe* cinema history. It doesn't ask much of you. Just to watch Brown smile, and watch some guys try to put out a very smoky fire.
The ending, it wraps things up neatly, as you'd expect. A little bit of heroics, a little bit of romance. It's all very… nice. Nothing too challenging, nothing too memorable, but not offensively bad either.
It feels like a little postcard from the past. You won't be talking about it for weeks, but for a moment, it's a curious diversion. A simple story, simply told. And sometimes, that's enough, I guess. 🤷♀️

IMDb —
1924
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