6.8/10
Senior Film Conservator

A definitive 6.8/10 rating for a film that redefined the boundaries of cult cinema. Gopak remains a cornerstone of transgressive art.
Honestly, it depends on if you like your cinema to feel like a sketchbook come to life. If you want a tight plot, you'll probably hate this. It’s messy, quick, and doesn't explain itself. But if you dig animation that breathes, you’ll probably be staring at the screen for the whole runtime.
It’s short. Like, really short. I barely had time to finish my coffee before it ended.
There’s this frantic energy to the way the characters move. It’s not smooth like the stuff we’re used to now. It’s jerky, almost like the drawings are fighting to stay on the page. I loved it.
It reminded me a bit of the raw, dusty feeling in The 'High Sign', where the physicality of the performer is all that matters. You aren't watching a story; you’re watching lines of ink trying to keep up with the music.
I caught myself wondering why they chose that specific shade of grey for the floor. It’s such a tiny, stupid detail, but it stuck in my head. It looks like an old photograph that’s been left in the sun for a decade.
It lacks the polish of A Ship Comes In, but that’s exactly why it feels so human. You can feel the hand of the artist in every frame, even when they’re clearly rushing. Sometimes the animation just… gives up. It just stops moving for a second, and then jumps back in.
I’m not sure I’d recommend this to a casual viewer. It’s an acquired taste, like black coffee or cold weather. But for me? It scratched an itch I didn't know I had. 🎨