6.2/10
Senior Film Conservator
A definitive 6.2/10 rating for a film that redefined the boundaries of cult cinema. Harold Teen remains a cornerstone of transgressive art.
Honestly, it depends on how much you like watching people from the 1930s try to act like teenagers. If you’re a fan of those old, snappy studio comedies, you’ll probably find something to enjoy here. If you hate movies where the 'big plot twist' is just someone learning how to dance properly, maybe skip it. 🤷♂️
Harold is just… a mess. The guy can’t keep a job, his car gets snatched, and he’s clearly losing his girlfriend’s interest. It feels like watching a slow-motion car crash, but in a musical.
There’s this one part where everything feels so stiff. It’s like the actors are afraid to move too fast or they might break the scenery. But then Hal Le Roy starts dancing. The whole energy of the movie just shifts instantly. It’s genuinely impressive stuff, even if the rest of the movie feels like it’s held together with tape and glue.
You can tell the director was really betting the house on those musical numbers. Without them, this would just be another forgotten flick about a guy who can’t get his life together.
It’s nowhere near as intense as something like The Mechanic or as strange as El fantasma del convento. It’s light. It’s fluffy. It’s a bit silly.
I found myself wondering if anyone in 1934 actually talked like this. Probably not. It feels like the Hollywood version of youth, which is always a little bit cringe, right? But hey, at least they tried.
The pacing is all over the place. We spend way too long on Harold moping around, then suddenly we’re at the musical and the movie is basically over. It’s like they forgot they had a runtime limit and had to sprint to the finish line. 🏃♂️💨
Don't expect a masterpiece. Just expect a decent way to kill an hour if you like black-and-white musical fluff. Just maybe don't expect the plot to make a ton of sense.
